Client: Warner Bros. | Production: Framework Studios

Companion | Warner Bros.

Camera: Canon C500 Mark II | Lenses: Leica R primes | Location: Highline, Manhattan

Producer: José Maldonado
UPM / Production Manager: Lavell Wells
Production Coordinator: Hanna Benavides
DP: Adam Kerchman
B Camera Operator: Norm Magnuson
AC / DIT: Nemo Allen
Gaffer: Eric Sorenson
Key Grip: Gulab Singh

Stills

Adam's lighting plot for the interviews: 5K with a Chimera through a 12x12 full grid, 20K, two Vortex 8s on the backdrop, 9-lights and a 12x12 ultrabounce, A and B cameras

Frame: Sophie Thatcher and Jack Quaid on the black-and-pink interview set, 9-lights and a Fresnel in the background

Frame: Sophie Thatcher on the interview set

Frame: Lukas Gage and Megan Suri on the interview set

The camera cart on the way in

Lighting and grip staged in the black studio before the build, 9-lights and a 20K on carts

The build: a 12x12 on each side, monitors and the A camera on sticks, the chairs on their marks

The key: a 5K in a Chimera flown overhead, 12x12s either side, the 9-light and Fresnel set dressing beyond

The two Vortex 8s flown over the backdrop side, frames and a 12x12 grid around the chair

Walking through the setup with the crew before talent

Stand-ins on the monitor for the two-shot

Stand-ins in booties on the monitor, frame lines up for the two-shot

G&E

1× Mole-Richardson 20K
1× Mole-Richardson 12K
2× ARRI T5 (5K), one in a large Chimera with a snapgrid
2× Mole-Richardson 9-light Maxi Brutes
2× Creamsource Vortex 8 with Chimeras and snapgrids
2× Source Four 750W Lekos
12×12 frames: solids and an eggcrate grid
8×8 frame with solids and an 8' wag flag
3× Max Menace arm kits
Fisher 11 dolly and a 4' slider
Distro: 2× 1200A and 3× 300A boxes, 1K and 5K dimmers

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